FILMS
BEGET FILMS
22-23
November 2002
Royal College of Art
R Buckminster Fuller presents his 'Dymaxion' house, 1929,
from The Dilapidated Dwelling
(Patrick Keiller, 2000, 78mins, Iluminations Television for Channel4)
The practice of compilation film and film citation has a long history in cinema
that is often overlooked. This event intends to draw attention to the significance
of this tradition for film history, film aesthetics and for new ways of thinking
about the power of history and images.
This event takes its name from Jay Leyda's Films Beget Films (1964) which
surveyed the use of archival footage until then. Found footage and archive material
today feature prominently in a range of contexts, from the avant-garde to advertising.
Gallery artists such as Douglas Gordon and Matthias Muller explore historic
footage for new meaning, while filmmakers like Ken Jacobs, Martin Arnold and
Bruce Conner re-cut early and archive material to find new forms and rhythms.
Archivists too have taken to making films from this seductive material, Peter
Delpeut's Lyrical Nitrate (1994) for example. The seductiveness of the
archive itself was the subject of Bill Morrison's Film of Her (1997)
and his recent Decasia.
The event included contributions from Patrick Keiller, AL Rees, Rachel Moore,
Michael Witt and Laura Mulvey and attracted an audience of artists, curators
and historians as well as students of film and related media.
PROGRAMME
Friday, 22 November 2002 |
|
6:00 | Introduction
by Laura Mulvey, Director AHRB Centre for British Film and Television
Studies; Professor of Film and Media Studies, Birkbeck, University of London. |
6:15 |
Patrick
Keiller, AHRB Fellow in the Creative and Performing Arts, Royal College
of Art.
|
7:45-9:00 |
Reception |
Saturday, 23 November 2002 |
|
10:00 | AL
Rees, Senior Research Fellow, Royal College of Art. Sampling the Archive: a survey of found footage in Avant-garde film. |
11:15 | Break
|
11:30 | Screening:
Mother Dao the Turtle-like, Vincent Monnikendam 1994. |
1:00 | Break
for Lunch |
2:00 | Dr.
Rachel Moore, Lecturer, Birkbeck, University of London. Re-enchanted Enchantment: watching movies in the movies. |
2:45 | Screening
of an episode from Histoire(s) du Cinéma, Jean-Luc Godard (1988-98),
and rare compilation film from France. |
3:30 | Break |
3.45 | Dr.
Michael Witt, Senior Lecturer in Film and Television Studies, University
of Surrey Roehampton The Pillage of the Archives: Histoire(s) du Cinéma and the audio-visual history tradition. |
4.45 | Round
table discussion: Patrick Keiller, AL Rees, Rachel Moore,
Michael Witt, chaired by Laura Mulvey. |
LECTURE THEATRE ONE
ROYAL COLLEGE OF ART
(JAY MEWS ENTRANCE)
KENSINGTON GORE
LONDON SW7 2EU
Organised in collaboration by: AHRB Centre for British Film and Television Studies;
Birkbeck, University of London and The Research Methods Course, Royal College
of Art.
For more information about Films Beget Films contact
Ann Jones
Administrator
AHRB Centre for British Film and Television Studies
Birkbeck, University of London
Room 102
43 Gordon Square
London WC1H 0PD
T: 020 7631 6137
F: 020 7631 6136
E: centre@bftv.ac.uk